Immanuel Kant was a German philosopher. He is a central figure of modern philosophy, and set the terms by which all subsequent thinkers have had to grapple. He argued that human perception structures natural laws, and that reason is the source of morality. His thought continues to hold a major influence in contemporary thought, especially in fields such as metaphysics, epistemology, ethics, political philosophy, and aesthetics.

The trenchant scholarship evident in Fried's earlier essays on Couture, Manet and Courbet is equally manifest in this challenging study of the development of French painting in the period 1750-1770. Fried's major thesis is that the central and guiding concern of artists from Chardin to David was the relationship between the viewer of the painting and what is represented in the painting. Those who now concentrate on social and economic determinants of artistic enterprises will be disappointed by Fried's blatantly aesthetic (...) hypothesis that the narrower concerns of the art of painting itself were primary in the mainstream of French painting of this period. But they will be hardpressed to counter the solid evidence that Fried musters in support of his position. (shrink)

In Making it Explicit Robert Brandom claims that perspectivally hybrid de re attitude ascriptions explain what an agent actually did, from the point of view of the ascriber, whether or not that was what the agent intended to do. There is a well-known problem, however, first brought to attention by Quine, but curiously ignored by Brandom, that threatens to undermine the role of de re ascriptions in the explanation of action, a problem that stems directly from the fact that, unlike (...) de dicto ascriptions, they permit the attribution of inconsistent attitudes to agents. I propose a solution to the problem which I believe is consistent with Brandom’s approach to the nature of intentionality and the explanation of action. (shrink)

I interpret and defend Sellars’ intemalist view of perceptual justification which argues that perceivers have evidence for their perceptual beliefs that includes a higher-order belief about the circumstances in which those beliefs arise, and an epistemic belief about the reliability of beliefs that are formed in those circumstances. The pattem of inference that occurs in ordinary cases of perception is elicited.I then defend this account of perceptual evidence against 1) AIston’s objection that ordinary perceivers are not as critical and reflective (...) as this view requires them to be; and 2) the charge that intemalism leads to various forms of infinite regress and circular reasoning. It is granted that subjects must have further grounds for their justifying reasons, and an attempt is made to identify these second-order reasons. In particular, I argue that epistemic beliefs are grounded in the perceiver’s awareness that his present experience-cum-conditions fits into a larger pattem of similar past experiences that were reliably connected with their objects. (shrink)

On the theory of meaning and reference (semantics) as interpretated by W.V. Quine; a study.